"Why don't
you have more airchecks of Big Harry?"
There is little point in writing to me seeking a specific
aircheck. Nearly everything I have is already here on line.
I pushed myself to get everything organized on this site so I would not
have to deal with this type of question. Yet, people still think I am hoarding a pile of unused airchecks.
The only items I
am still holding back are airchecks of my own voice and most
of my Apollo 11 recordings. Those materials only exist as
CD's.
Every now and then, I get an email which consists of nothing but a complaint.
It goes something like this:"Why don't you have more airchecks of Big Harry?" This is just an example. You can insert the name of the DJ or radio station of your choice.
The reasons why I don't have every aircheck in the world are carefully explained on this FAQ and elsewhere on this site. I have even set up a public blog where anybody can make an appeal for a type of aircheck.
But the kind of people who write those one line email complaints are not the type who read FAQ's or make articulate appeals on a blog.
It only takes 30 seconds to dash off a "why don't you have" email, but it could take me many hours over many months to fulfill such a "request." That is assuming that I could find the demanded airchecks at all.
Therefore, I am announcing a new policy: Any email which amounts to nothing but a complaint that I don't have a particular recording or a particular type of aircheck will be ignored.
However...
Would you like me to make an exception and look for an aircheck of your favorite DJ?
Then just do the following: Mail your request to me with a check for $1000. I will then proceed to spend up to 40 hours looking for the particular aircheck. However, the money is non refundable, and there is no guarantees of success in finding the desired recording.
"Why don't you go to
the other aircheck sites and download their material? Wouldn't
that fatten up your collection?"
The big problem with questions like this is that people think
I am more enamored with airchecks than I actually am.
There is nothing wrong with those sites, but if I were that
thirsty for airchecks, I would already be going there for
material.
If you know of a good web site, it's OK to tell me about
it. Maybe I can set up a link to it. Just don't expect me to do anything in particular with
their recordings.
I wouldn't want someone else to launch a site based mainly
on what I have, and that is one reason I don't do wholesale
downloads from other sites. Besides, my time is valuable,
and it is much easier to just link to the outside material.
I am not trying to collect every thing in sight for this
site.
Although I don't totally rule out airchecks which have been
heard elsewhere, my main focus is on recordings which have
never been widely heard before.
I think that aiming for quality rather
than quantity has paid off. Without too much of a hard hustle
on my part, I have uncovered—
1. A rare Jim Wood studio air check
2. An exclusive recording of the KILT
coverage of the Kennedy assassination.
3. A KILT interview with Mick Jagger
in connection with the 1966 Rolling Stones Houston concert.
4. Two unscoped KNUZ airchecks.
5. An extensive collection of KULF
material from 1972 and 1973.
6. A KODA collection which includes
new materials about the Kennedy assassination.
Most of these recordings appeared here
for the first time on line. This
site is actually more of an historical archive and writing
project than a DJ Warehouse.
"Are you the Answer Man for all Houston radio questions?"
Think twice before asking me some question
about who was morning drive at what station in the 70's. I
am not really the person to hit with questions like that.
My most intense interest in such trivia peaked while I was
still in my teens, and my most arcane knowledge concerns easy
listening stations, not top 40.
Even while I was working in radio I often
listened to tapes (educational tapes as well as ones with
music) rather than radio stations. Also, I was stuck in Bay
City a good deal of the time, and KILT and KTRH were the only
Houston stations I could pick up clearly in my car.
In short, a web site does not make me a fountainhead
of radio knowledge. I have trouble answering the most ridiculously
simple questions, such as, "What was the name of the
parakeet on the Ron Elz Show on KXYZ in 1961?" That is
a real question, but I don't know the answer. All I can do
is stammer and stagger a few steps backward and stare at the
ceiling and hope that the next question will go to someone
else.
Put me on a quiz show with Salty Old Radio
Dogs (people who take old top 40 radio seriously),
and I will be the first one voted off for being the weakest
link.
There may be a few dimly remembered
areas where I know more than anyone else in town, but they
are not the kind of topics which spur people to write to me.
"Since you are such a Dummy,
how can I get my questions answered?"
The answer is out there.
I suggest that you post your question on a radio blog. There
are plenty of them.
I recently set up this blog for posting questions:
Houston
Retro Radio -- The Blog
That is a public blog loosely related to Houston
Retro Radio. Anyone can join it to express an opinion or to
ask or answer a question. I believe you can sign in with your Google I.D. If you ask your question there,
the entire Free Corps of Free Lance Advisors can take a shot at providing an
answer.
You can also send your question to
Jim
Rose Remembers Radio
Mr. Rose is a former Houston DJ who writes about radio and
entertainment. Email reminders emanate from the site several times each
week. Everybody who has ever been anybody in radio visits the site, and
someone can probably answer your question.
"I don't have any use for
all of this Old School stuff. Why don't you have more about
what is happening now on the radio?"
This web site is No Country for Young Punks, so expect short
shrift for trendy to the max formats. We do not hop to Hip Hop.
I am not even much of a radio listener.
In some recent years, I have sometimes gone
all year without listening to radio for a full half hour.
I have had my relapses when I gave radio a
Last Chance, such as the mid 90's when syndicated talk radio
got so big.
And in the late 90's, I listened to the KBME
oldies format when it took over the 790 AM frequency. But
when KBME became "The Sports Animal" that pretty
well wrapped up radio for me. I'm not a Young Cool Dude with
an insatiable appetite for spectator sports.
Of course, not every format change causes Houston to be blessed with a new all sports station.
Take a good look at what happened to KQUE, KNUZ, KLOL, and classical station KRTS. Can you detect a pattern in what happened to those rather
unrelated formats? If you listened to one of those stations, what was the most conspicuous change in their formats? Hint: They did not become rap stations.
I do still listen to talk radio from time to time, and sometimes
I will listen to a music format just enough to get a feel
for what is happening. However, it usually takes something
as big as a Hurricane Ike to get me to turn on a radio for
a substantial amount of time.
When I am out and about in my travels,
I mainly listen to educational recordings, not the radio.
Reason: I'm don't have a seventeen year old mind anymore.
A single mp3 CD can contain an entire
book or an entire college course from The
Teaching Company. I know you think I'm weird, but I find
that to be better time management
than listening to The Sports
Animal.
In am currently listening to lectures
on The
Art of Critical Decision Making. Material like that is
probably more useful than hearing about which football player
just "made it rain" in a strip
club.
I listen mostly to business oriented
recordings, but I also like to further my general education.
For example, this fall I listened to Thomas Hardy's Tess of the D'Urbervilles for the third time. I figure that if you listen
to good writing some of it will rub off.
Altogether, I have over 130 gigabytes of spoken word audio.
Only a tiny percentage has anything to do with radio.
Realization: I have said all of this so people will understand
that I am not even much of a radio listener, much less the
one to hit with current radio questions.
Yes, I know that I was being redundant when I just wrote, "I am not even much of a radio listener." I am trying to be redundant.
On an FAQ page, redundancy in the pursuit of clarity is no vice.
— Grady McAllister. M.S. (Occupational
Technology Education)
Revised February 4, 2010 |